cannonball Adderley

A long time ago in a galaxy far far away, I discovered a record album in my dad's records. It was The Cannonball Adderley Quintet Live In Chicago. It was recorded in the late 1950's around the time that Adderley and a young tenor sax player, John Coltrane were sidemen for Miles Davis. This record changed my life and was my first exposure to jazz. Since then, I've bought nearly all of his recordings and he's truly my favorite alto horn player. You Tube has some great videos of him performing live so I'll share this one with you.
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from Wikipedia:

His educational career was
long established prior to teaching applied instrumental music classes at Dillard High School in Fort Lauderdale, Florida. Cannonball was a local legend in Florida until he moved to New York City in 1955.

He joined the Miles Davis sextet in 1957, around the time that John Coltrane left the group to join Thelonious Monk's band. (Coltrane would return to Davis's group in 1958). Adderley played on the seminal Davis records Milestones and Kind of Blue. Davis had this to say of Adderley's style: "He had a certain spirit. You couldn't put your finger on it, but it was there in his playing every night." This period also overlapped with pianist Bill Evans's time with the sextet, an association that led to recording Portrait of Cannonball and Know What I Mean?.

A band leader
The Cannonball Adderley Quintet featured Cannonball on alto sax and his brother Nat Adderley on cornet. Adderley's first quintet was not very successful. However, after leaving Davis' group, he reformed another, again with his brother, which enjoyed more success.

The new quintet (which later became the Cannonball Adderley Sextet), and Cannonball's other combos and groups, included such noted musicians as:
pianists Bobby Timmons, Victor Feldman, Joe Zawinul (later of Weather Report), and George Duke
bassists Sam Jones, Walter Booker and Victor Gaskin
drummers Louis Hayes and Roy McCurdy
saxophonists Charles Lloyd and Yusef Lateef.
The sextet was noteworthy towards the end of the 1960s for achieving crossover success with pop audiences, but doing it without making artistic concessions.

Avant-garde movement
By the end of 1960s, Adderley's playing began to reflect the influence of the electric jazz avant-garde, and Miles Davis' experiments on the radical album Bitches Brew. On his albums from this period, such as The Price You Got to Pay to Be Free (1970), he began doubling on soprano saxophone, showing the influence of John Coltrane and Wayne Shorter.

Adderley died of a stroke in 1975. He was buried in the Southside Cemetery, Tallahassee, Florida. Joe Zawinul's composition "Cannon Ball" (recorded on Weather Report's album Black Market) is a tribute to his former leader.